Art is often viewed as a mirror,
reflecting the beautiful hues created by the universe’s masterful hand. Art is said to be man’s imitation or
interpretation of a world beyond our own understanding. From a historical standpoint, art has been the
most effective means at deciphering the voices of civilizations that have long
since faded away. Even in its most
primitive forms, art has been a practical, social commentary used to illustrate
the inner workings of a particular culture. In some cases, art has been the
only documentation we currently have of the minds of intellects, philosophers, scientists,
and craftsmen of the past. If one were
to fully adopt the philosophy of Aristotle then I would imagine that this
summary would be an adequate depiction of what art must be. It was Aristotle who first attributed the
tendency of art in its original form and its imitation of life to the natural
human characteristic to mimic others as a primary source of learning. This
observation is true, however it does not account for the artistry that extends
the boundaries of one of the worst words known to man, “normal.” With this theory, the works of artists such
as the painter Pablo Picasso and science fiction novelist H.G. Wells, author of
“The Time Machine” and “The War of the Worlds” would have been deemed worthless
even though we have clearly seen the affects of their work on the masses. When assessing the role of art as it relates
to the past, we can easily see the gravity of its importance. And although we
may not see it through the same lens, art is equally as important to our society
today. The question is then, what role
do the artists themselves pose as benefactors within the greater context of
society?
The relationship society has with its artists is quite interesting.
A relationship I would characterize as historically “love, hate.” Good art has
a degree of shock value that can go one of two ways, either the audience will
appreciate the uniqueness of the work and praise the artist, or the audience will
not be ready to fully comprehend the artist’s experience. Hence the term that
an artist was “before their time.” Work from artists such as Doménikos Theotokópoulos aka
El Greco was shunned, criticized, and ignored while he was living because society,
at the time, found his work too confusing to understand. Whereas Jean Michel Basquiat received an
ample amount of fame during his short time on earth for work many consider
controversial.
What separates humans from other animals is that humans have
the ability to adapt through socializing. The manners in which we do so becomes
our culture our shared ideology become our society. For instance, an individual that makes a new
tool will show others how to do the same through language. The style of the
tool and language they use become a representation of their culture. Man continues to evolve through this process
of social adaptation where the more we produce and learn from its production,
the more our brains develop. There is truth to this concept, but is only a
surface level explanation for a much more complex reality. If this were
completely true, then I would assume everyone in their respective culture would
develop to be carbon copies of each other.
There is a certain innate uniqueness we possess as individuals within a
society that allows us to analyze the surrounding environment differently than
others. We are each malleable to the influences of our societies, but our
differing perspectives give birth to artistic creation. Artists are what I
suppose more vulnerable to these influences than others not only due to the
public critique of work that carries pieces of their soul, but I would assume
that they are also more vulnerable to life experiences as they happen. In order
for someone to accurately convey an emotion through a vehicle of art, they must
be fully cognizant of that emotion as they are experiencing it in order to
transfer that feeling. This may be the reason why artists are, generally
speaking, people who are flamboyant in personality and seem to deteriorate from
the inside because of the difficulty they have of fitting in. It is like watching a child trying to force a
shaped, wooden block into the wrong opening. Society tries too often to force
artists back into what is considered to be “normal” (there’s that word again)
through closed-minded critiques, up until that wooden block chips or breaks. Although Oscar Wilde enjoyed much of his
success while he lived, once his reputation was unsympathetically defamed, his
depression seemed to lead to his demise. Depending on the political and social
atmosphere at the time,
We are fairly knowledgeable about the Kurt Cobain affect
that society can have on the mind of artists, but what about the ways society
changes from art? There is an immense
power in art. It extends past the casual
museum painting contemplation and manifests itself in such phenomenon as the
original radio broadcast of H.G. Wells’ “War of the Worlds” that sent American
citizens into a frenzy, and D.W. Griffith’s troubling, racist masterpiece, “The
Birth of a Nation” which created black stereotypes still reoccurring in media
sources today. To ethically critique art
is to limit the restrictions on the artists’ autonomy and only judge the work
based on aesthetics. Limiting an
artists’ autonomy can be seen as also limiting one’s creativity, not allowing
them to fully develop can be derived from an inspired state. Plato, however,
understood that power art has to influence behavior, and therefore declared it
dangerous and in need of censorship. His
forward thinking essentially predicted the creation of media and propaganda.
Artists have one duty and that is to be true to themselves. We are
all biological phenomena, never to be duplicated again. There is something
intrinsically special to this notion.
Artistic autonomy therefore is important for the evolution of art to
remain in tact. Plato was not crazy to imagine a society of citizens pacified
by distractions however. When you have specific entities that control mass
media, sadly this becomes inevitable. Art should not be owned or
controlled. If I were to make a
prediction I would venture to say that if the citizens can find a way to
maintain the freedom of the internet, we will then find ourselves submerged in
a new age renaissance where the artistic genius of the common man are equally
as powerful and accessible as the spoon fed advertisements we are bombarded
with daily.